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            <title>The Parallax Review - Articles by Matt Wedge</title>
            <link>http://www.theparallaxreview.com/</link>
            <description></description>
            <language>en</language>
            <copyright>Copyright 2011</copyright>
            <lastBuildDate>Fri, 15 Jul 2011 23:09:48 -0600</lastBuildDate>
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                <title>Death to Smoochy</title>
                <description><![CDATA[This is a hell of a lot of plot for a first act and that&rsquo;s without even getting into the Irish Mafia outfit that takes a special interest in Sheldon&rsquo;s continued success and well-being.  Admittedly, the film teeters on the edge of a cliff, ready to fall into the abyss of satirical overkill before something unexpected happens: Sheldon grows from a one-note hippie joke into a character worth rooting for.  In the midst of the aggressive cynicism and heavy-handed satirical jokes, Sheldon becomes a likable, somewhat too earnest protagonist whose quest to improve the world goes from being mocked to encouraged, a surprising turn for a movie directed by the ever-subversive Danny DeVito.]]></description>

                <link>http://www.theparallaxreview.com/columns/movie_defender/death_to_smoochy.html</link>
                <guid>http://www.theparallaxreview.com/columns/movie_defender/death_to_smoochy.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">Movie Defender</category>
        
        
                <pubDate>Fri, 15 Jul 2011 23:09:48 -0600</pubDate>
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                <title>Hall Pass</title>
                <description><![CDATA[That setup supplies a wealth of opportunities for the film to explore any number of possibilities that could be both very funny and insightful.  Are Rick and Fred so driven by their hormones that they would cheat on their wives, even if it&rsquo;s not technically cheating?  Are Maggie and Grace unhappier in their marriages than they realized?  Do they want their husbands to have affairs so they would have an excuse to end their marriages?  Could having this valve to blow off steam actually improve their marriages?  These are all interesting questions, rife with potential for conflict.  Unfortunately, the Farrelly&rsquo;s blow their intriguing setup on an assorted bag of their greatest hits (not one, but <i>two</i> feces jokes, an embarrassing masturbation scene, multiple men obsessed with a beautiful blonde, and grown men acting like twelve-year-old morons).]]></description>

                <link>http://www.theparallaxreview.com/in_theatres/hall_pass.html</link>
                <guid>http://www.theparallaxreview.com/in_theatres/hall_pass.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">In Theatres</category>
        
        
                <pubDate>Fri, 25 Feb 2011 15:00:00 -0600</pubDate>
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                <title>Powder</title>
                <description><![CDATA[Let&rsquo;s just get this out of the way, right up front: <i>Powder</i> is a mess of a film.  But it wouldn&rsquo;t be such a mess if there weren&rsquo;t some interesting ideas and promising plot developments buried beneath a ton of pretentious metaphysical conceits and obvious manipulations on the part of writer/director Victor Salva.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/powder.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/powder.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 25 Feb 2011 00:00:00 -0600</pubDate>
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                <title>Broken Lizard&apos;s Club Dread</title>
                <description><![CDATA[The result was a film that was funny without going for the obvious jokes that the <i>Scary Movie</i> franchise had already poached numerous times over.  But critics bashed its straight-faced approach to comedy and audiences stayed away in droves, turned off by bad word-of-mouth that the film was just as much a horror film as it was a comedy.]]></description>

                <link>http://www.theparallaxreview.com/columns/movie_defender/broken_lizards_club_dread.html</link>
                <guid>http://www.theparallaxreview.com/columns/movie_defender/broken_lizards_club_dread.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Movie Defender</category>
        
        
                <pubDate>Fri, 25 Feb 2011 00:00:00 -0600</pubDate>
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                <title>Unknown</title>
                <description><![CDATA[Sometimes I feel as though we don&rsquo;t appreciate Liam Neeson enough.  Moving easily between leading-man roles and character work, he&rsquo;s able to chew the scenery when a script calls for it and just as easily dial his performance down to a subtle level approaching minimalism.  Ever since his breakthrough turn in <i>Darkman</i>, it seems that every time I look up at the screen, there&rsquo;s Neeson, doing good work in films that often aren&rsquo;t worthy of his talents.  Such is the case with <i>Unknown</i>, an otherwise soggy conspiracy thriller that Neeson practically horsewhips into watchability.]]></description>

                <link>http://www.theparallaxreview.com/in_theatres/unknown.html</link>
                <guid>http://www.theparallaxreview.com/in_theatres/unknown.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">In Theatres</category>
        
        
                <pubDate>Sat, 19 Feb 2011 18:00:00 -0600</pubDate>
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                <title>I Am Number Four</title>
                <description><![CDATA[Needless to say, this is a ton of plot to shove into a movie that runs less than two hours.  I would take the film to task for not cutting some of the more extraneous plot details, but director D.J. Caruso has his hands tied by the fact that the film is supposed to be the first in a series.  When taking that into account, it&rsquo;s actually surprising how well <i>I Am Number Four</i> turned out.  This could have been a dispiriting failure along the lines of <a href="http://www.theparallaxreview.com/columns/script_to_screen/cirque_du_freak_the_vampires_assistant.html"><i>The Vampire&rsquo;s Assistant</i></a> &mdash; a film that felt like one long first act setting up all the fun for films down the road.  But Caruso is able to make John just an interesting enough protagonist and capitalize on a great performance by Olyphant, that I was willing to sit through the explanations and plot setups until the overblown, but rousing third act finally rewarded my patience.]]></description>

                <link>http://www.theparallaxreview.com/in_theatres/i_am_number_four.html</link>
                <guid>http://www.theparallaxreview.com/in_theatres/i_am_number_four.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">In Theatres</category>
        
        
                <pubDate>Fri, 18 Feb 2011 21:00:00 -0600</pubDate>
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                <title>Funny Farm</title>
                <description><![CDATA[<i>Funny Farm</i> boasts a surprisingly impressive pedigree for a light Chevy Chase comedy.  It was directed by George Roy Hill, a man who delivered two certifiable masterpieces in <i>The Sting</i> and <i>Butch Cassidy and the Sundance Kid</i> among other very good films (<i>Slap Shot</i>, <i>Slaughterhouse-Five</i>).  It boasts a screenplay by Jeffrey Boam, ace screenwriter of such films as <i>The Dead Zone</i>, <i>Innerspace</i>, <i>Indiana Jones and the Temple of Doom</i>, and <i>Lethal Weapon 2</i>.  With this collection of unusually talented people behind the scenes, it&rsquo;s not terribly surprising that the film turned out as well as it did.  That praise isn&rsquo;t to confuse it as a great film, but it&rsquo;s an enjoyable comedy with a few big laughs.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/funny_farm.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/funny_farm.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:03 -0600</pubDate>
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                <title>Mystic River</title>
                <description><![CDATA[That&rsquo;s why I was so shocked when I first saw <i>Mystic River</i>.  It struck me as a stunning misfire from a usually reliable director with a good cast overacting like they were in a high school production of <i>Long Day&rsquo;s Journey Into Night</i>.  Even worse, Eastwood showcased bizarre flourishes and an over-the-top score, which he helped compose, that only further pushed the film into overbearing territory.]]></description>

                <link>http://www.theparallaxreview.com/columns/the_academy_of_the_overrated/mystic_river.html</link>
                <guid>http://www.theparallaxreview.com/columns/the_academy_of_the_overrated/mystic_river.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">The Academy of the Overrated</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:00 -0600</pubDate>
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                <title>10 to Midnight</title>
                <description><![CDATA[Obviously, I have an affection for Cannon films.  If I didn&rsquo;t, I wouldn&rsquo;t bother taking part in this column.  But their attempts to cash in on popular genres and knockoffs of bigger budgeted fare led to far more misses than hits.  You can understand why I expected a film that plugged Charles Bronson into a <i>Dirty Harry</i>-esque scenario would be nothing more than Paul Kersey from the <i>Death Wish</i> films with a badge.  But <i>10 to Midnight</i> defies expectations, delivering a solid procedural with surprising twists and grounded, believable characters.]]></description>

                <link>http://www.theparallaxreview.com/columns/cannon_corner/10_to_midnight.html</link>
                <guid>http://www.theparallaxreview.com/columns/cannon_corner/10_to_midnight.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">Cannon Corner</category>
        
        
                <pubDate>Mon, 14 Feb 2011 00:00:00 -0600</pubDate>
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                <title>The Eagle</title>
                <description><![CDATA[In a better movie, the prickly relationship between Marcus and Esca would have been the focus of the story.  The ever-present threat of betrayal by Esca and the shaky moral ground on which Marcus stands would have given the material the potential for great drama.  Unfortunately, the movie that director Kevin Macdonald and screenwriter Jeremy Brock give us is more concerned with battle scenes (bloodless to insure a PG-13 rating) and clich&eacute;d ideas of honor above all else.  Never mind the bodies that pile up as Marcus wages his war for the honor of a man long dead.]]></description>

                <link>http://www.theparallaxreview.com/in_theatres/the_eagle.html</link>
                <guid>http://www.theparallaxreview.com/in_theatres/the_eagle.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">In Theatres</category>
        
        
                <pubDate>Sat, 12 Feb 2011 18:00:00 -0600</pubDate>
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                <title>RoboGeisha</title>
                <description><![CDATA[Whether I would have ended up watching the film on my own is debatable.  Knowing my love for a good exploitation film, I probably wouldn&rsquo;t have been able to avoid that title for very long.  But if this film is an accurate example of what the genre offers, I may be able to avoid the other slickly titled options that I keep seeing on Netflix.]]></description>

                <link>http://www.theparallaxreview.com/columns/dvd_insanity/robogeisha.html</link>
                <guid>http://www.theparallaxreview.com/columns/dvd_insanity/robogeisha.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">DVD Insanity</category>
        
        
                <pubDate>Fri, 11 Feb 2011 00:00:00 -0600</pubDate>
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                <title>Opportunity Knocks</title>
                <description><![CDATA[For an innocuous vehicle to capitalize on Dana Carvey&rsquo;s popularity during his <i>Saturday Night Live</i> heyday, there&rsquo;s something slightly distasteful about <i>Opportunity Knocks</i>.  This lack of taste has nothing to do with Carvey, but with using his talents for mimicry and improvisation to tell a story about a con man seeking to rip off a wealthy Chicago businessman by getting his daughter to fall in love with him.  Comedies about con artists work best when the person being conned is someone who deserves to be ripped off (<i>The Sting</i>).  Here, I just found the premise so off-putting, it was hard to appreciate the minimal amount of actual comedic entertainment on display.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/opportunity_knocks.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/opportunity_knocks.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 11 Feb 2011 00:00:00 -0600</pubDate>
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                <title>The Illusionist [L&apos;illusionniste]</title>
                <description><![CDATA[<i>The Illusionist</i> is the type of movie that sneaks up on you.  I spent most of my time watching the film in a sort of pleasant trance.  I marveled at the beautiful, hand-drawn animation.  I smiled and chuckled quietly at a running gag about the titular character and his surly rabbit that hates being stuffed into a hat.  I drank in the attention to character design that made it possible to tell the story with incredibly sparse dialogue.  And then the film hammered me with such a bittersweet &mdash; and ultimately sad &mdash; third act that I was stunned when I realized how emotionally invested I had become in the slight story and eccentric characters.]]></description>

                <link>http://www.theparallaxreview.com/in_theatres/the_illusionist.html</link>
                <guid>http://www.theparallaxreview.com/in_theatres/the_illusionist.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">In Theatres</category>
        
        
                <pubDate>Wed, 09 Feb 2011 00:00:00 -0600</pubDate>
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                <title>Sanctum</title>
                <description><![CDATA[I&rsquo;m all for trying to create three dimensional characters, but once the survival aspect of the story began, it was time for Grierson to abandon the clunky attempts at building conflicts between the characters.  Quite frankly, I learned more about Frank, Carl, and Josh by watching their physical abilities under stressful situations than I did through any of the leaden dialogue.]]></description>

                <link>http://www.theparallaxreview.com/in_theatres/sanctum.html</link>
                <guid>http://www.theparallaxreview.com/in_theatres/sanctum.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">In Theatres</category>
        
        
                <pubDate>Fri, 04 Feb 2011 18:00:00 -0600</pubDate>
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                <title>Blind Fury</title>
                <description><![CDATA[It&rsquo;s only through the benefit of distance that we&rsquo;re allowed to see what a nutty time the late &rsquo;80s were when it comes to movies.  How else to explain the collision of incompatible elements that make up the curiosity piece known as <i>Blind Fury</i>?  ]]></description>

                <link>http://www.theparallaxreview.com/on_cable/blind_fury.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/blind_fury.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 04 Feb 2011 00:00:00 -0600</pubDate>
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