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            <title>The Parallax Review - Articles by Kyle Kogan</title>
            <link>http://www.theparallaxreview.com/</link>
            <description></description>
            <language>en</language>
            <copyright>Copyright 2011</copyright>
            <lastBuildDate>Fri, 25 Feb 2011 15:00:00 -0600</lastBuildDate>
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                <title>Executive Decision</title>
                <description><![CDATA[Specifics don&rsquo;t matter because the surprises and suspense are what make the film so enthralling.  Sure, you can see the end coming from a mile away and there is nothing here that you haven&rsquo;t seen before, but it&rsquo;s handled with such deft care that it left me breathless.  I knew the good guys were going to win in the end, but I nonetheless couldn&rsquo;t wait to see it happen.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/executive_decision.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/executive_decision.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 25 Feb 2011 15:00:00 -0600</pubDate>
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                <title>Harry and Tonto</title>
                <description><![CDATA[Not for one moment did I feel I was watching a film, but rather a manifestation of a real man&rsquo;s memoir onto celluloid.  It&rsquo;s a rare treat that I get to witness such a fun, tender, and rapturous film.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/harry_and_tonto.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/harry_and_tonto.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:05 -0600</pubDate>
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                <title>Article 99</title>
                <description><![CDATA[<i>Article 99</i> is a really bad movie, but it can be enjoyed under the pretense that inherent within is a truly ludicrous story with outlandish situations, zero note characters, shoddy sets, and bleeding-heart moralism sappy enough to send you into a shudder.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/article_99.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/article_99.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:01 -0600</pubDate>
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                <title>The Verdict</title>
                <description><![CDATA[<i>The Verdict</i>, only weak by title, is a spectacular film.  It is an amalgamation of many forms, in one respect an action feature and in another a thriller.  Throw in a little bit of romance and maybe even a dash of noir and you have yet to scratch the surface.  Above all, though, it conveys a deeply embedded belief that with trial and perseverance, redemption is a powerful deterrent to desperation and sadness.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/the_verdict.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/the_verdict.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 04 Feb 2011 18:00:00 -0600</pubDate>
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                <title>The Quick and the Dead</title>
                <description><![CDATA[There really isn&rsquo;t a plot, as the movie mostly just moves from one shootout to the next, but all of the confrontations are rendered intriguing because of the breathless pacing and the idiosyncratic characters.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/the_quick_and_the_dead.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/the_quick_and_the_dead.html</guid>

        
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                <pubDate>Fri, 04 Feb 2011 00:00:00 -0600</pubDate>
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                <title>Sleeping with the Enemy</title>
                <description><![CDATA[<i>Sleeping with the Enemy</i> is by no means a good movie, but that doesn&rsquo;t mean it&rsquo;s unwatchable.  It begins promisingly enough, but then it rapidly heads for the hills that call themselves mundane.  Simply put, I was kind of bored during this film, but I never found myself looking at the time.  I was too busy rolling my eyes.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/sleeping_with_the_enemy.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/sleeping_with_the_enemy.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 28 Jan 2011 00:00:00 -0600</pubDate>
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                <title>The Boston Strangler</title>
                <description>The film was made in 1968 but it shows no signs of aging.  The story is often told in split screen, or better yet, multi-screen.  Often, we as an audience get to witness a scene or a sequence of scenes from two to six points of view, so I truly mean it when I say if you look away you might miss something.</description>

                <link>http://www.theparallaxreview.com/on_cable/the_boston_strangler.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/the_boston_strangler.html</guid>

        
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                <pubDate>Fri, 28 Jan 2011 00:00:00 -0600</pubDate>
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                <title>The Best Films of 2010</title>
                <description><![CDATA[127 HoursThis was a very controversial film, and understandably so. It features a sequence that transcends explanation. It&rsquo;s ground-breaking in it&rsquo;s graphic depictions, but it&rsquo;s part of what makes the film so perfect. This story of a man pinned between&hellip;]]></description>

                <link>http://www.theparallaxreview.com/best-of_lists/best-of_2010_kyle_kogan.html</link>
                <guid>http://www.theparallaxreview.com/best-of_lists/best-of_2010_kyle_kogan.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">Best-Of Lists</category>
        
        
                <pubDate>Fri, 28 Jan 2011 00:00:00 -0600</pubDate>
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                <title>Summer Rental</title>
                <description><![CDATA[<i>Summer Rental</i> is a John Candy film.  Do I really need to write more?  It&rsquo;s as if this man was created for the hypothetical &ldquo;Visual Dictionary&rdquo; and next to the words &ldquo;Affable, Gargantuan, Lovable, Clumsy, Innocuous, and Clueless&rdquo; was a picture of Candy, clad in distasteful clothing, smiling with a pair of thumbs to frame his face.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/summer_rental.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/summer_rental.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 21 Jan 2011 21:00:00 -0600</pubDate>
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                <title>A Wedding</title>
                <description><![CDATA[The Robert Altman-directed <i>A Wedding</i> is tricky.  I enjoyed the film while it lasted, but I have no intention of ever watching it again.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/a_wedding.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/a_wedding.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 21 Jan 2011 00:00:00 -0600</pubDate>
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                <title>Mr. Majestyk</title>
                <description><![CDATA[Charles Bronson, a name that carries considerable weight, is an actor who has starred in countless action classics.  I consider myself a movie fanatic, so I presume I&rsquo;ve committed some form of blasphemy by admitting that this is my very first Charles Bronson film.  I know; it&rsquo;s pretty ludicrous that I haven&rsquo;t seen these timeless classics.  If Richard Fleischer&rsquo;s <i>Mr. Majestyk</i> is any indication of Bronson&rsquo;s existing canon, I can safely say that I am altogether hooked.  Bronson truly deserves his iconic status as an action hero.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/mr_majestyk.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/mr_majestyk.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 14 Jan 2011 00:00:04 -0600</pubDate>
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                <title>Naked Lunch</title>
                <description><![CDATA[The novel seems so convoluted and abstract that I&rsquo;m equal parts surprised and impressed that Cronenberg even managed to put a film together.  What he did put together I appreciate solely on a visceral, enigmatic front.  It&rsquo;s so altogether complex that I found it impossible to resist.  It&rsquo;s not a film I will be running back to see anytime soon, but if you&rsquo;re looking for a mind-bending trip into the mind of William S. Burroughs, look no further.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/naked_lunch.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/naked_lunch.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 14 Jan 2011 00:00:03 -0600</pubDate>
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                <title>Black Christmas</title>
                <description><![CDATA[Director Bob Clark really ratchets up the tension by disallowing the viewer any insight into the killer&rsquo;s motives or physical characteristics.  He just exists, killing off girls, one by one.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/black_christmas_1974.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/black_christmas_1974.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 24 Dec 2010 00:00:03 -0600</pubDate>
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                <title>Home Alone 2: Lost in New York</title>
                <description><![CDATA[It&rsquo;s a silly, cute, and comical experience from start to finish, with only a few hiccups along the way.  Some of these hiccups are greater than others, but I must note that these setbacks only became noticeable upon a critical viewing.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/home_alone_2_lost_in_new_york.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/home_alone_2_lost_in_new_york.html</guid>

        
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                <pubDate>Fri, 24 Dec 2010 00:00:02 -0600</pubDate>
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                <title><![CDATA[A Christmas Tale [Un Conte de No&euml;l]]]></title>
                <description><![CDATA[Alas, a film that has almost nothing to do with its title.  Relevant still, though, as an ironic nod to the audience which I assume will either love of loathe this film.  I found it to be, in equal measures, both astoundingly brilliant and frustrating.  It&rsquo;s shot with such a lax style but tells a tale so profoundly layered and immersive, the contradiction becomes somewhat startling.  It&rsquo;s like being thrust into the dead of winter with nothing but your drawers on: Harsh and cold, but absolutely unforgettable.]]></description>

                <link>http://www.theparallaxreview.com/on_cable/a_christmas_tale.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/a_christmas_tale.html</guid>

        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 17 Dec 2010 00:00:03 -0600</pubDate>
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