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            <title>The Parallax Review - On Cable</title>
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            <copyright>Copyright 2012</copyright>
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                <title><![CDATA["Executive Decision" by Kyle Kogan]]></title>
                <description><![CDATA[Specifics don&rsquo;t matter because the surprises and suspense are what make the film so enthralling.  Sure, you can see the end coming from a mile away and there is nothing here that you haven&rsquo;t seen before, but it&rsquo;s handled with such deft care that it left me breathless.  I knew the good guys were going to win in the end, but I nonetheless couldn&rsquo;t wait to see it happen.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/executive_decision.html</link>
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                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 25 Feb 2011 15:00:00 -0600</pubDate>
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            <item>
                <title><![CDATA["High Plains Drifter" by Josh Medcalf]]></title>
                <description><![CDATA[This is an early example of the &ldquo;Weird West&rdquo; subgenre, a fusing of the Western with, in this case, the occult or supernatural. Eastwood plays the Stranger, a rugged gunfighter appearing out of the haze of the desert and stumbling into the town of Lago, where he may or may not have unfinished business &mdash; left over from another lifetime. If that premise doesn&rsquo;t do it for you, I don&rsquo;t know what will.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/high_plains_drifter.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/high_plains_drifter.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 25 Feb 2011 00:00:02 -0600</pubDate>
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            <item>
                <title><![CDATA["The War of the Roses" by D. B. Bates]]></title>
                <description><![CDATA[The second hour of the film wouldn&rsquo;t work at all without those reaction shots &mdash; moments that show us both Oliver and Barbara are still recognizably human.  Their faces express the guilt and embarrassment anyone would feel with those early, accidental dust-ups.  Once things have escalated, they vacillate between genuine anger at one another and the sort of wondering look of a person questioning whether or not he or she has gone too far.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/the_war_of_the_roses.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/the_war_of_the_roses.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 25 Feb 2011 00:00:02 -0600</pubDate>
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            <item>
                <title><![CDATA["Freaked" by Josh Medcalf]]></title>
                <description><![CDATA[When you reflect back on what you&rsquo;ve seen, it&rsquo;s like stringing together the random, bizarre segments of a half-remembered dream from the night before. Nothing makes sense; what seemed to work in dreamland is now utterly absurd in hindsight.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/freaked.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/freaked.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 25 Feb 2011 00:00:01 -0600</pubDate>
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            <item>
                <title><![CDATA["Powder" by Matt Wedge]]></title>
                <description><![CDATA[Let&rsquo;s just get this out of the way, right up front: <i>Powder</i> is a mess of a film.  But it wouldn&rsquo;t be such a mess if there weren&rsquo;t some interesting ideas and promising plot developments buried beneath a ton of pretentious metaphysical conceits and obvious manipulations on the part of writer/director Victor Salva.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/powder.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/powder.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 25 Feb 2011 00:00:00 -0600</pubDate>
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            <item>
                <title><![CDATA["Regarding Henry" by Mark Dujsik]]></title>
                <description><![CDATA[<i>Regarding Henry</i>&rsquo;s sincerity is at once the movie&rsquo;s crutch and its downfall.  It is the story of a man of loose moral sensibilities who awakens to the recognition of treating his fellow human beings with decency, and all that has to happen to him to come to this realization is that he&rsquo;s shot in the head.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/regarding_henry.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/regarding_henry.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 25 Feb 2011 00:00:00 -0600</pubDate>
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            <item>
                <title><![CDATA["Harry and Tonto" by Kyle Kogan]]></title>
                <description><![CDATA[Not for one moment did I feel I was watching a film, but rather a manifestation of a real man&rsquo;s memoir onto celluloid.  It&rsquo;s a rare treat that I get to witness such a fun, tender, and rapturous film.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/harry_and_tonto.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/harry_and_tonto.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:05 -0600</pubDate>
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                <title><![CDATA["Flirting with Disaster" by Mark Dujsik]]></title>
                <description><![CDATA[David O. Russell&rsquo;s <i>Flirting with Disaster</i> finds the farcical in the emotionally fragile events surrounding a man&rsquo;s search for his biological parents.  At a crossroads in his life &mdash; new son (for whom he can&rsquo;t decide upon a name), a fading sex life with his wife, and the culmination of a lifelong identity crisis arising from his adoption as a baby &mdash; Mel Coplin (Ben Stiller) or his need to feel a part of something he&rsquo;s felt he has been missing is never the butt of any of the film&rsquo;s jokes.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/flirting_with_disaster.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/flirting_with_disaster.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:04 -0600</pubDate>
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                <title><![CDATA["Funny Farm" by Matt Wedge]]></title>
                <description><![CDATA[<i>Funny Farm</i> boasts a surprisingly impressive pedigree for a light Chevy Chase comedy.  It was directed by George Roy Hill, a man who delivered two certifiable masterpieces in <i>The Sting</i> and <i>Butch Cassidy and the Sundance Kid</i> among other very good films (<i>Slap Shot</i>, <i>Slaughterhouse-Five</i>).  It boasts a screenplay by Jeffrey Boam, ace screenwriter of such films as <i>The Dead Zone</i>, <i>Innerspace</i>, <i>Indiana Jones and the Temple of Doom</i>, and <i>Lethal Weapon 2</i>.  With this collection of unusually talented people behind the scenes, it&rsquo;s not terribly surprising that the film turned out as well as it did.  That praise isn&rsquo;t to confuse it as a great film, but it&rsquo;s an enjoyable comedy with a few big laughs.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/funny_farm.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/funny_farm.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:03 -0600</pubDate>
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            <item>
                <title><![CDATA["Navy SEALS" by Josh Medcalf]]></title>
                <description><![CDATA[The premise is simple. We see both &ldquo;sides&rdquo; of the lives of the men on a rough-and-tumble Navy SEALs team: one side when they&rsquo;re on mission, the other when they&rsquo;re off, with a few highlighted dramatic subplots interspersed between. The various attempts at endearing us to the characters are painfully obvious, first-date awkward. It really is <i>Top Gun</i> all over again, without the planes, and with Charlie Sheen standing in for Tom Cruise.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/navy_seals.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/navy_seals.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:02 -0600</pubDate>
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            <item>
                <title><![CDATA["Jack" by D. B. Bates]]></title>
                <description><![CDATA[Director Francis Ford Coppola realizes Jack leads a life of deep sadness and loneliness, despite having loving parents.  Because of his freakish qualities, they keep him indoors most of the time.  He stares longingly out the window at the normal ten-year-olds, wishing he could live that life without having the intellectual or emotional capacity to understand why he can&rsquo;t.  Coppola&rsquo;s not afraid to express that darkness, but he&rsquo;s also not afraid to throw it all away for the sake of kids farting in a coffee can.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/jack.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/jack.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:01 -0600</pubDate>
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            <item>
                <title><![CDATA["Article 99" by Kyle Kogan]]></title>
                <description><![CDATA[<i>Article 99</i> is a really bad movie, but it can be enjoyed under the pretense that inherent within is a truly ludicrous story with outlandish situations, zero note characters, shoddy sets, and bleeding-heart moralism sappy enough to send you into a shudder.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/article_99.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/article_99.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:01 -0600</pubDate>
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            <item>
                <title><![CDATA["The Woman in Red" by Josh Medcalf]]></title>
                <description><![CDATA[I would say it runs out of steam at that point &mdash; but for a movie to run out of steam, it has to at least have some in the first place. The way the narrative is set up only distanced me from the comedy. Characters are hard to read and events that are critical to the central plotline are sometimes totally ambiguous.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/the_woman_in_red.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/the_woman_in_red.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:00 -0600</pubDate>
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            <item>
                <title><![CDATA["Less Than Zero" by Josh Medcalf]]></title>
                <description><![CDATA[Director Marek Kanievska seems to take the scared-straight approach, and of course a lot of that has to do with the studio&rsquo;s efforts to clean up much of the X-rated, meandering existentialism of Ellis&rsquo;s novel, in an attempt to put together a marketable package with three-act structure, an identifiable protagonist and a clear moral doggie bag to leave the theater with.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/less_than_zero.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/less_than_zero.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 11 Feb 2011 00:00:02 -0600</pubDate>
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                <title><![CDATA["Gattaca" by Mark Dujsik]]></title>
                <description><![CDATA[Andrew Niccol&rsquo;s <i>Gattaca</i> seems a bit quainter than it did upon the film&rsquo;s release fourteen years ago.  What was a revolutionary premise about chiseling away the fa&ccedil;ade of a false utopia based upon the structured discrimination of people deemed genetically inferior (the passage of the Genetic Information Nondiscrimination Act of 2008 appears almost a direct, if belated, response to the film&rsquo;s scenario) is now simply the basis for an intelligent display of plotting an intricate con.]]></description>
                <link>http://www.theparallaxreview.com/on_cable/gattaca.html</link>
                <guid>http://www.theparallaxreview.com/on_cable/gattaca.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">On Cable</category>
        
        
                <pubDate>Fri, 11 Feb 2011 00:00:01 -0600</pubDate>
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