<?xml version="1.0" encoding="UTF-8"?>
    <rss version="2.0">
        <channel>
            <title>The Parallax Review - Bargain Bin</title>
            <link>http://www.theparallaxreview.com/</link>
            <description></description>
            <language>en</language>
            <copyright>Copyright 2011</copyright>
            <lastBuildDate>Fri, 18 Feb 2011 00:00:01 -0600</lastBuildDate>
            <generator>http://www.sixapart.com/movabletype/</generator>
            <docs>http://www.rssboard.org/rss-specification</docs>
    
            <item>
                <title><![CDATA["Edison Force [a.k.a. Edison]" by D. B. Bates]]></title>
                <description><![CDATA[As a critic, watching <i>Edison Force</i> is the equivalent to having an out-of-body experience.  The critic in me hovers at a distance, knowing I shouldn&rsquo;t recommend a film with such a silly plot and such over-the-top violence.  By most reasonable metrics, it&rsquo;s a bad film: characters crippled by clich&eacute;s, a story that simultaneously indicts fascist police states and fetishizes the violence such states breed, a pat (yet exceptionally violent) conclusion, and Kevin Spacey in a laughable hairpiece.  Something about it just <i>works</i>, though, so even as the critic part of me rolled its eyes, the rest of me sat on the edge of my seat, hoping everything would work out for the characters.  This despite the fact that I knew where the plot was headed after the second scene, and I knew the film wouldn&rsquo;t have the balls to go for a tragic ending.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/edison_force.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/edison_force.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
        
                <pubDate>Fri, 18 Feb 2011 00:00:01 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["Messages Deleted" by D. B. Bates]]></title>
                <description><![CDATA[With more ambition, <i>Messages Deleted</i> could have been a great thriller variation on the Spike Jonze/Charlie Kaufman collaboration <i>Adaptation</i>.  The title and DVD box art give the impression that this will be a thriller in the vein of two other Larry Cohen scripts: <i>Phone Booth</i> and <i>Cellular</i>.  It&rsquo;s actually a thriller about a failed screenwriter embroiled in a murder mystery whose victims are right out of his only sold (but unproduced) screenplay, and it spends a lot of time talking about the conventions of movies without really twisting or defying them.  Merely acknowledging clich&eacute;s doesn&rsquo;t automatically overcome them.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/messages_deleted.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/messages_deleted.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
        
                <pubDate>Fri, 21 Jan 2011 00:00:00 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["The Badge" by Matt Wedge]]></title>
                <description><![CDATA[I&rsquo;ve always felt that the true test of an actor is how well they hold up in a bad film.  In a good film, with a solid script and capable direction, an actor can coast and let the material carry them.  I&rsquo;m not saying that actors do that; I just feel an accomplished director and a skilled editor can mask a lot of the faults of a weak performance and make an actor look better than he or she actually is.  When an actor can single-handedly save a film from a bad script and an incompetent director and make it, if not good, at least watchable, that speaks volumes to me about their ability.  Such is the case with Billy Bob Thornton and <i>The Badge</i>.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/the_badge.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/the_badge.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
        
                <pubDate>Fri, 07 Jan 2011 00:00:00 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["The Winning Season" by D. B. Bates]]></title>
                <description><![CDATA[Try as I might, I can&rsquo;t see the logic in <i>The Winning Season</i> heading to DVD after a blink-and-you&rsquo;ll-miss-it &ldquo;theatrical run&rdquo; for awards consideration.  A funny, dark-edged sports comedy featuring Sam Rockwell as a cantankerous alcoholic coach and a plethora of rising stars (Emma Roberts, Emily Rios, Rooney Mara, Shareeka Epps) and comedy ringers (Rob Corddry, Margo Martindale).  In a world where trailers frequently mislead audiences into thinking they&rsquo;re seeing one thing (a good movie) when they&rsquo;re seeing another (a shitty movie), how could they not cut a trailer making this look like an innocuous teen comedy along the lines of the execrable <i>Easy A</i>?  There&rsquo;s nothing wrong with tricking people into seeing a <i>better</i> movie than the one they think they&rsquo;re seeing.  That&rsquo;s what <i>Whip It</i> did.  Although nobody saw it &mdash; but that&rsquo;s different.  People actually like basketball.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/the_winning_season.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/the_winning_season.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
        
                <pubDate>Fri, 17 Dec 2010 00:00:01 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["The Woods" by Matt Wedge]]></title>
                <description><![CDATA[Admittedly, <i>The Woods</i> barely holds the minimum requirements for a Bargain Bin column.  Individually, there is no member of the cast who I would say it&rsquo;s a shock to see in a direct-to-DVD feature.  But combining them all in one feature without even the briefest of a theatrical release is somewhat surprising.  Given how long the film sat on the shelf before being quietly slipped to the home video market with a barebones DVD, you would think it was a true stinker, an embarrassment that the better known members of the cast would quietly drop from their r&eacute;sum&eacute;s.  The truth is the exact opposite.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/the_woods.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/the_woods.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
        
                <pubDate>Wed, 08 Dec 2010 00:00:00 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["Leaves of Grass" by Matt Wedge]]></title>
                <description><![CDATA[I like to imagine that if Richard Kelly had directed <i>Pineapple Express</i>, it might have resembled <i>Leaves of Grass</i>.  Combining a traditional genre film with unexpected plot twists and a healthy dollop of philosophical musings, the film resembles a comedic version of what Kelly tried to pull off with <a href="http://www.theparallaxreview.com/columns/movie_defender/the_box.html"><i>The Box</i></a>.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/leaves_of_grass.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/leaves_of_grass.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
        
                <pubDate>Wed, 24 Nov 2010 00:00:00 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["Triage" by D. B. Bates]]></title>
                <description><![CDATA[I guess I can see why <i>Triage</i> went direct-to-DVD.  It&rsquo;s a very good film, but it&rsquo;s relentlessly dour and unpleasant.  As has been typical of Colin Farrell&rsquo;s choices over the past few years, he&rsquo;s challenging himself by playing a difficult character in a difficult film that I found difficult to watch.  Still, it&rsquo;s a lot less oppressive and self-conscious than something like <i>21 Grams</i>, so shuffling it off to DVD seems like kind of a cruel punishment for a film that&rsquo;s significantly more passionate than that exercise in <i>ACTING</i>.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/triage.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/triage.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
        
                <pubDate>Fri, 19 Nov 2010 00:00:00 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["Grilled" by D. B. Bates]]></title>
                <description><![CDATA[Imagine Quentin Tarantino had written <i>Glengarry Glen Ross</i>, and you&rsquo;ll have some idea of what <i>Grilled</i> is about.  You&rsquo;ll also probably understand why it quietly went straight to DVD, considering it came on the heels of stars Ray Romano and Kevin James giving up highly successful, crowd-pleasing sitcoms in which they played generally likable people.  Few would look at either comedian and say, &ldquo;I want to see them in a cynical dramedy where they play sociopaths.&rdquo;  Yet, the movie itself is actually pretty good.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/grilled.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/grilled.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
        
                <pubDate>Fri, 12 Nov 2010 00:00:00 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["Giallo" by Matt Wedge]]></title>
                <description><![CDATA[Perhaps more damning to the film&rsquo;s credibility is that its legendary co-writer/director Dario Argento has disowned it.  Claiming the producers recut the film behind his back, he has expressed disappointment with the version of the film that played at festivals and has now found its way to DVD.  But after viewing the cut that he&rsquo;s disappointed in, I feel it safe to say that no matter how this footage was pieced together, the result was going to be a massive turkey.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/giallo.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/giallo.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
        
                <pubDate>Fri, 29 Oct 2010 00:00:00 -0600</pubDate>
            </item>
    
            <item>
                <title><![CDATA["$5 a Day" by D. B. Bates]]></title>
                <description><![CDATA[What a setup: in a single day, Flynn (Alessandro Nivola, perhaps most recognizable from his turn in 2005&rsquo;s <i>Junebug</i>) loses his job, loses his girlfriend (Amanda Peet), and learns his con-artist father, Nat (Christopher Walken), may be dying of brain cancer.  Left with no one to turn to, Flynn reluctantly reenters Nat&rsquo;s life, and what follows is a combination of a father-son bonding movie and a road movie.  Unfortunately, neither movie is particularly good despite Walken&rsquo;s always-welcome presence.]]></description>
                <link>http://www.theparallaxreview.com/columns/bargain_bin/5_a_day.html</link>
                <guid>http://www.theparallaxreview.com/columns/bargain_bin/5_a_day.html</guid>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Bargain Bin</category>
        
                    <category domain="http://www.sixapart.com/ns/types#category">Columns</category>
        
        
                <pubDate>Fri, 24 Sep 2010 00:00:00 -0600</pubDate>
            </item>
    
        </channel>
    </rss>



